Katydid

“The Katydid’s Warning” — A Cherokee myth

Two hunters camping in the woods were preparing supper one night when a Katydid began singing near them. One of them said sneeringly, “Kû! It sings and don’t know that it will die before the season ends.” The Katydid answered: “Kû! niwï (onomatope); O, so you say; but you need not boast. You will die before to-morrow night.” The next day they were surprised by the enemy and the hunter who had sneered at the Katydid was killed.

Towards an aesthetic

What with my reading of Opening to Inner Light and other tasty books, I know we’re heading towards a fireside discussion more meaty than we’ve had in a while, but I think this bit may not be able to wait.C4090-456

Yesterday, as I mindlessly surfed the intertubes, I came across this site: ugliesttattoos.com.  It is OMG•NSFW, so I’ll provide a couple of samples here and links to particularly egregious examples. [NSFW!!!]

Those should suffice.  The entire website is jawdroppingly, gobsmackingly, entirely like these samples.  Only much, much worse.  Much, much, much worse.

I like tattoos.  I have a couple myself and wouldn’t mind one more, if I were allowed.  And I find them to be fascinating body modifications on others in most circumstances.  But honest to God, I came across very few tattoos on this site that I was able think, “Wow, that’s cool/beautiful/transgressive/sexy.”  They were all grotesque.  (I did like this one. [SFW, if weird])

So in our neverending discussion of “What is art?”, I’d like to ask in the immortal acronym embodied above, “WTF?”  How are we to fit these manifestations of our creative imperative into the schema of that imperative?  (I’ve tagged this with the Corroborative Evidence category; is that where we are with this?)C4090-455

Discuss.

Ware!

This is genius.  It’s a passage from Middlemarch, describing Mr. Casaubon, a middle-aged cleric whose life-work has been writing a Key to All Mythologies, apparently a syncretic work which will Explain It All once and for all.  He has yet to publish the work or even come close to tying it all up in any kind of coherent package.  He has recently married Dorothea Brooke, a young, pretty, pious, and educated young woman who thinks she will find happiness assisting him in his labors.

Read it, and read it carefully.  Respond in comments.

He had not had much foretaste of happiness in his previous life. To know intense joy without a strong bodily frame, one must have an enthusiastic soul. Mr. Casaubon had never had a strong bodily frame, and his soul was sensitive without being enthusiastic: it was too languid to thrill out of self-consciousness into passionate delight; it went on fluttering in the swampy ground where it was hatched, thinking of its wings and never flying. His experience was of that pitiable kind which shrinks from pity, and fears most of all that it should be known: it was that proud narrow sensitiveness which has not mass enough to spare for transformation into sympathy, and quivers thread-like in small currents of self-preoccupation or at best of an egoistic scrupulosity. And Mr. Casaubon had many scruples: he was capable of a severe self-restraint; he was resolute in being a man of honor according to the code; he would be unimpeachable by any recognized opinion.

In conduct these ends had been attained; but the difficulty of making his Key to all Mythologies unimpeachable weighed like lead upon his mind; and the pamphlets–or “Parerga” as he called them–by which he tested his public and deposited small monumental records of his march, were far from having been seen in all their significance. He suspected the Archdeacon of not having read them; he was in painful doubt as to what was really thought of them by the leading minds of Brasenose, and bitterly convinced that his old acquaintance Carp had been the writer of that depreciatory recension which was kept locked in a small drawer of Mr. Casaubon’s desk, and also in a dark closet of his verbal memory.

These were heavy impressions to struggle against, and brought that melancholy embitterment which is the consequence of all excessive claim: even his religious faith wavered with his wavering trust in his own authorship, and the consolations of the Christian hope in immortality seemed to lean on the immortality of the still unwritten Key to all Mythologies. For my part I am very sorry for him. It is an uneasy lot at best, to be what we call highly taught and yet not to enjoy: to be present at this great spectacle of life and never to be liberated from a small hungry shivering self– never to be fully possessed by the glory we behold, never to have our consciousness rapturously transformed into the vividness of a thought, the ardor of a passion, the energy of an action, but always to be scholarly and uninspired, ambitious and timid, scrupulous and dim-sighted. Becoming a dean or even a bishop would make little difference, I fear, to Mr. Casaubon’s uneasiness.

Doubtless some ancient Greek has observed that behind the big mask and the speaking-trumpet, there must always be our poor little eyes peeping as usual and our timorous lips more or less under anxious control.

A rebuke from the universe (again with this)

The American Composers Forum has been sending out an email to this guy’s blog, in which he has challenged himself to write a new piece every day for the month of February.  I know, it’s cheating to use the shortest month, right?

I’ve enjoyed the little works so far, and of course it’s fun to hear another composer whine about getting it done.

It almost makes me ready to rev the 24 Hour Challenge back up.  Almost.

What do you think: is there a value in self challenges like this?  Or is it just a stunt to exercise your chops?

What is art? (Again, with this.)

All right, no one has posted anything here for a while, so I have something that may be a conversation starter. Maybe not. Just something I ran across.

Those who follow my blog know that I am learning to play the guitar. As I am learning to play, I am also reading Johnny Cash’s autobiography. He’s my favorite singer, and “Folsom Prison Blues” is the first song I’ve learned to play. In the book there is a paragraph that struck me as particularly interesting:

“I was talking with a friend of mine about this the other day: that country life as I knew it might be a thing of the past and when music people today, performers and fans alike, talk about being “country”…they’re talking more about choices–a way to look, a group to belong to, a kind of music to call their own. Which begs the question: Is there anything behind the symbols of modern “country,” or are the symbols themselves the whole story? …Back in Arkansas, a way of life produced a certain kind of music. Does a certain kind of music now produce a way of life?”

Something about that passage really resonated with me, because I think you could replace the word “country” with any number of art forms: screenwriting, musical theatre, painting. Or even just art in general. It seems to me that a lot of modern art, especially commercial art, stems from the artist’s desire to be seen as an artist and not a need to be an artist. “I want to live the lifestyle that goes along with being a rap star, therefore I should break into the rap industry.”

“I would like people to dote on me at gallery openings, therefore I paint.”

Maybe this is nothing new. Perhaps these people have been around since the beginning of art. Certainly seems more prevalent now. Discuss.

Is it art if it isn’t driven by the artistic impulse?

Is this a bad thing? Does using art a simply a means to an end cheapen it for those for whom art is the end itself?

If there is another discussion in there, I’d like to hear that too.

The Call to the Annual Meeting

As Chair of the Lichtenbergian Society, I hereby enjoin our membership to attend the Annual Meeting, set according to the Charter for December 19, being on or before the Hibernal Solstice, to begin at or around 7:00 p.m.

Herewith is the Order of Business:

  1. Roll Call, including confirmation of new members
  2. Toast to GCL
  3. Acclamation of the Officers
  4. Corroboration of the Validity of our Claims
  5. Consignment of the Corroborative Evidence to the Flames
  6. Engrossment of the Year’s Efforts
  7. Meditation on the Year’s Efforts, followed by a Silent Toast
  8. Engrossment of the Proposed Efforts for the Next Year
  9. Toast to the Proposed Efforts
  10. Agenda: ??

With 12 days, 7 hours, and 41 minutes until the Annual Meeting, it’s probably time to see if there’s any consensus on what the agenda should be.