L.09.1: Drinking with Dorothy Parker

Back in the more cavalier days of my youth, if ever I disappeared from view, one could almost always find me in the lobby restaurant of the Algonquin Hotel in New York. Along with several others, I would have lunch here everyday. Now many of the group, which came to be known as the Algonquin Round Table, either were at the time or went on to become some of the finest literary, critical, or witty minds of a generation. I would not fall into this category.

I’m not sure why they kept me around. Perhaps it was my sheer lack of intellectual recognition. I was a sardonic and churlish youth, who stood out from the likes of Woolsey, Dot Parker, and GS Kaufman simply because of my disinterest in their work. I enjoyed their company because they were catty, biting, scathing, and at times down-right rude. Given the Victorian upbringing I’d received, these folks were what I longed to become, and exactly what I needed. Looking back perhaps that is another reason they kept me around. They saw a bit of their own past in my wanton naivete and caustic attitude.

One of my favorite nights with the group was an evening in April of 1922. The curtain had just closed on a revue called No Sirree!, the first and only project that the Round Table had collaborated on. Woolsey suggested we head over to the Algonquin to celebrate, but when we got there we were surprised to find that the doors had been shut early that night so that the manager could take us up on  our offer of free tickets to the show. We needed a celebration, but where to go?

Woolsey complained that his place was an absolute wreck and no one should even dream of making it his place. Dot said that she loathed having people over. GS said that his wife would probably already be in bed. To which Groucho quickly replied, “I know where I want to have the party.” Finally I said, “Listen, Gang, I know it’s not much, but we could always go back to my place. The apartment’s a hole, but the view from the roof is spectacular.”

They all  agreed to meet me there bringing whatever they had on hand. (My one stipulation had been that as a starving writer I had no booze or food, so if anyone wanted something they should bring it.) After everyone arrived, it seemed that they were all living the lives of starving artists as well. Groucho brought a half a carton of guava juice, and of course, if anyone would have guava juice it would be Groucho. Woolsey brought a little bit of orange juice, and Dot brought over a half-empty bottle of pineapple juice and just the tiniest bit of apple juice. Kaufman brought some grenadine, and Tallulah Bankhead brought some vodka. At least good old Tallulah was always good for some booze. Peter Benchley went out and got some dark spiced rum. And Harpo, God bless him the sweetest man alive, brought in two bottles of the sweetest, tastiest coconut rum you have ever imbibed.

We looked at our table of ingredients unsure of what to do. A light bulb flickered over my head, and I ran downstairs to my apartment, returning with a huge decorative bowl an ex had made for me during one of her artistic phases. I set the bowl on the ground and began pouring.

“Wait! What are you doing!” cried Dot Parker. “We don’t have much as it is, and you’re just going to ruin it?”

“Just wait,” I said, “If this doesn’t knock your socks off, I’ll eat Woolsey’s coat.”

“No small feat,” said Kaufman.

“His feet are about average,” said Groucho. “But that’s no small coat for sure.”

Well, I tell you what resulted from that mixture was just about the finest drink I’d ever had. It was deliciously sweet, like a fruit drink without the slightest hint of an alcohol taste. But boy did it pack a wallop. The next day after all of us had applied our hangover cure of choice, we dubbed the drink “The Harpo Marx” for two reasons. One, in honor of the only one among us who’d had the selflessness to bring enough alcohol to share. And two, because after one glass you’ll find you can no longer speak.

The SHA Maverick

Having first been inspired by Honea’s slight bending of the rules (see his most recent collection) by including a wedding band in his SHA pieces, the world of Symmetrical Hand Arrangement has found itself a new bad boy. Gordon Palm, yes that is his real name, has decided to buck the system and has been keeping the SHA community on its toes…or fingers, as it were. Palm sent the community abuzz with his most recent exhibition in which all of the pieces were deliberately asymmetrical. While some call it genius and others call it heresy, one thing is certain: whatever is decided will radically change what can be called SHA.

Some samples from the exhibition:

L.08.8: (self-portrait) Tetrachotomy

In my mind I am at any given time a pirate, a cartoon character, a wildlife biologist, or a vaudeville comedian. Or any combination of the four. None of which I can ever actually be in real life.

Additionally, loathe as I am to admit this, I don’t know how to use Photoshop. I used this assignment as an excuse to fiddle around with it. While that may sound a bit ambitious for our group, true to form I put off a great many things I should have been working on today to learn a little about Photoshop.

The Shakespeare Riots

There was a story about this book on NPR this morning that I found absolutely amazing. Can you imagine a time in American history where common, everyday people would get into DEADLY battles over who they thought was the better interpreter of Shakespeare?

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  • Assignment L.08.6

    At Dale’s behest I am reposting this from my blog for the Lichtenbergians. We have been without assignment for a while, so here it is. I stole this from my friend Justin, who actually stole it from here, but it’s fun and dumb.

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  • How to create your debut album:

    Step 1) Go to the Wikipedia Random Article Generator. The first article that comes up is the name of your band.

    Step 2) Go to the Random Quotations Page. The last four words of the very last quote on the page is the name of your album.

    Step 3) Go to Flickr’s “Explore the Last Seven Days” Page. The third picture, no matter what it is, will be your album cover.

    Step 4) Add them all together in Photoshop, and that’s your debut album.

    Here’s mine.

    The title and the image go eerily well together. And here is Dale’s.

    I haven’t heard this album yet, but by the looks of it I’m sensing lots of acoustic guitar. But then who am I to judge an album by its cover?

    And then here’s Eli’s. Not officially a Lichtenbergian yet, but soon to be.

    All right; get to it.

    Mike