Continuing our discussion from here, we move the George Licthenberg Film Project back to the front of our consciousness. VCP410-DT
The script and auxiliary materials are at http://lichtenbergian.backpackit.com.Â You need a BackPack account (free) to see the pages. E20-060
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Maybe I will make some time for this.
Cras Melior Est.
One thing I think we should keep in focus is the concept from Leaf by Niggle that George’s time is whittled away by demands (often legitimate) on his time.
Case in point: I intended to come home today, clean the kitchen vigorously, exercise downstairsâ€”but Ginny’s car was home, and she was in bed sick, disease unknownâ€”so I couldn’t bang around the kitchen or downstairsâ€”and then as I was ready to eat (and thence upstairs to work)â€”she arisesâ€”so I have to pause and be solicitous.
I know that sounds callous, but it’s the kind of thing that would destroy George.
One of George’s fundamental questions: “How do they do it?”
Has in fact George made a category error with this question? Whatever a category error is.
George finds he can’t help but ask this question because he is the creature he is.
Possible end in which a certain resignation leads not to total despair but a new possibility for expression. Abandoning the symphony is an indicator that George may into be turning a different creature. One without precedents.
How do you part with something as basic as the notion of “my time”?
George obsessed with choice of “time signature.”